LQ-1183
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Mark Slee -
Came By My Way |
More deep house mastery from San Francisco’s Mark Slee. Came By My Way has the signature Slee sound of deep grooves with subtle largesse, but add a brass section for the hook and peak. Happened To Mention carries the same deepness and vibe to the b-side, with a bit more funk & chunk.
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LQ-1182
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Art Bleek -
City Blues |
The brilliance lies not just in the music, but in the weaving together of wide ranging influences into something greater that the sum of its parts.
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LQ-1181
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Momu -
Sixth & Mission Dub Pack |
This release gets at the dub concept in new ways with a pop-trap take from Schoolboy Crush (AKA Royal Sapien), warp-10 drum & bass from SF’s Marshall Watson, and some reggae-flavored chill from the original artist, Momu.
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LQ-1180
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Marshall Watson -
Love Me Back To |
Marshall Watson continues his streak of leftfield-inspired deep house with “Love Me Back To”. Both shimmery and dark, this release carries a heavy chug under swirling clouds of bright sonic detail, expertly woven percussive touches and vocal editing.
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LQ-1179
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Momu feat. Missa Hawk -
Sixth & Mission Remixes |
Both remixes are pure four-on-the-floor goodness, Issac’s featuring more of a techno push, and Jose’s with his signature combination of atmosphere and bounce.
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LQ-1178
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Dan Sherman -
Places EP |
Places EP is the debut release from San Francisco’s Dan Sherman. All five tracks are oceanically deep, intricate, and full of sonic surprises.
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LQ-1177
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Lifecycle/Fourth Product -
Lino Cosmos - Fourth Product Relays |
The phrase we use at the Loöq Record office for this type of sound is "Deep Cinematic".
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LQ-1176
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Momu -
The Mission |
With breakbeats, analog synths, and digital sculpting, Momu creates sounds both beautiful and dissonant, raising a playful middle finger to Silicon Valley while also celebrating the city’s history and idiosyncrasies.
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LQ-1175
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Jose Vizcaino -
Speechless |
“Speechless” continues the fine run of deep, yet large sounding house music from San Francisco's Jose Vizcaino.
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LQ-1174
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Marshall Watson -
Vibration Attention |
Marshall Watson goes even deeper with this two track release of emotive, leftfield progressive house (that many of you would actually call techno).
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